Why Loudness Often Fails (And How to Master Clean & Loud with Free Plugins)
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Why Loudness Often Fails (And How to Master Clean & Loud with Free Plugins) |
Why Loudness Often Fails (And How to Master Clean & Loud with Free Plugins)
Everybody wants their tracks to sound loud and clean like the pros. But here’s the truth: push your mix too hard and boom — distortion ruins everything.
In this post I break down my exact mastering chain, recreated using seven free plugins. Follow this step-by-step guide and you’ll learn how to get loud, clean masters without distortion — even if you can’t afford expensive tools yet. I’ll also mention the paid alternatives I normally use so you can upgrade later.
Watch the Tutorial Here:
Before & After Demo
Without mastering: raw playback
With the mastering chain: clean, loud playback (around -9 LUFS
, no distortion). The master sounds punchy and loud while remaining clean.
The Free Plugin Chain
- EQ — ZL Equalizer
- Glue Compression — BusterSE (Analog Obsession)
- Vintage Program Equalizer - Vintage Program Equalizer
- Stereo Imaging — Monster Imager
- Clipper — Vennaudio Free Clip
- Limiter — Wave Breaker
- Metering & Loudness — Youlean Loudness Meter
Step-by-Step Mastering Chain
1. EQ — Clean the resonances
Use a dynamic EQ like ZL Equalizer:
- Roll off low rumbles (~30 Hz).
- Roll off extreme highs (~16 kHz) similar to commercial masters.
- Sweep & notch problem resonances but make them dynamic so you don't remove useful musical content.
- Roll off sub-bass from the side channel so low end remains centered.
Paid alternative: FabFilter Pro-Q3/Pro-Q4.
2. Compression — Gentle glue
Use a glue-style compressor (e.g., BusterSE) to tame peaks and add subtle analog character.
Recommended starting settings: Attack ~30 ms (slow), Release very short, Ratio ~4:1, adjust threshold for 1–3 dB gain reduction, use makeup gain sparingly.
Paid alternative: Waves SSL Comp.
3. Subtle Saturation / Color
Add a touch of analog saturation or a gentle high-frequency boost around 10–12 kHz to add presence — but keep it subtle.
4. Stereo Imaging — Define the field
Use Monster Imager to control stereo width by band:
- Keep subs and low end 100% mono.
- Widen mid-high areas slightly for space.
- Use a stereo visualizer (Wave Candy or similar) to confirm low-end centering.
5. Clipper — Tame harsh peaks
Use a clipper (Vennaudio Free Clip) to shave off stray peaks before limiting. The workflow: push until you hear distortion, then back off a little. This prevents hard clipping later and preserves headroom.
6. Limiter — Final loudness
Use Wave Breaker as your final maximizer. Push to your target loudness while avoiding pumping or audible distortion. Typical targets depend on genre — from around -14 LUFS
(some streaming targets) up to -8 to -9 LUFS
for punchy pop/EDM if desired.
7. Metering — LUFS check
Use Youlean Loudness Meter to check integrated LUFS, short-term and momentary levels. Use presets when mastering for platforms (Spotify/YouTube) and match reference tracks.
Final Tips
- A/B with reference tracks. Always compare to commercial masters in the same genre.
- Use dynamic EQ instead of static cuts when possible — it preserves musical content.
- Gain stage carefully at each plugin so you’re not chasing distortion later.
- Remember: the goal is loud + clean, not just loud.
Want My Preset Pack?
If you want the exact preset I used, leave a comment below with "I’m interested" and I’ll share it.
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- Subscribe to my blog/channel Youtube
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Stay creative, stay focused — see you in the next post. 🎶
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